Tag: art

How to Fail at Playwriting: Chapter 11: Contests and Festivals

Don't forget to read the fine print.
Don’t forget to read the fine print.

So by this point, you have a completed, polished script that is quite possibly the most brilliant thing ever. Awesome! Or maybe it’s sort-of okay. Yay! Or perhaps it’s just some dialog strewn like dead logs across a trail in a forest no one owns, so why pay a log picker-upper to come in and clean up? Why not just leave them to soften and decay with the passing seasons, composting back into the weather and enriching it with their dormant barky-ness? It’s time to send out your work!

First, search the web for the many, many contests and festivals that feature new work by living playwrights. Remember that term: new work. It’s something you should start saying instead of a play. It sounds more important, like you’re working on a cure for something, doesn’t it?

Many contests and festivals charge a small fee. Don’t begrudge this. It costs a lot to get everything processed and reviewed and responded to. Even if the readers are volunteers, those other people who do stuff like  advertise the contest usually have to be paid.

Insider tip: As a volunteer reader myself, I try to read my minimum number of submissions at the last minute, perhaps at the end of the day or when I’m completely frustrated by my actual job and need a brief distraction. “Try and hold my interest,” I tell the submission. “You’ve got fifteen seconds.” So take all you’ve learned in previous chapters about character and story arc and show-don’t-tell and pacing and stuff, and jam it all into the first half-page, because that’s probably all the time you have. As John Irving said, “try to tell the whole novel in the first line.”

What is it you want to say? Some popular themes include “Love is elusive.” “War is bad.” “Life is funny and the goofiest things can happen.” Whatever your flavor, consider shoehorning it into the first line or two of dialog, like this:

Night. A hot-air balloon. Joshua nurses his imaginary child. Gomesh helps.
Joshua: War is bad.
Gomesh: The goofiest things happen.
They implode.

That way, even if your reader gives you a pass immediately, as they’re likely to do with a whole pile of submissions waiting and dinner not even started, you’ll know you are sharing your-deeply felt vision with another human soul.
Go for it!

Takeaway: The journey of a thousand miles begins with the first step, but it ends any time you plop down and turn on Netflix.

Othello Explains It All For You

Not a Cheeto in sight.

It’s not so much that I thought she was cheating. Even though, okay, I guess I kind of thought that. But I do realize that I didn’t know it in that way where you feel sure enough to just come out and ask someone. Even though sometimes, when it’s that moment where you’re about to ask, and you can feel them willing you not to ask, you can feel in that space between you, the silent pushing back of the question, doesn’t that usually tell you something?

But it wasn’t that so much, because that on its own we could have overcome. No, it was the knowing that even if she hadn’t actually cheated, even if she hadn’t, there was this whole universe of not going on beside me. And would be for eternity, and it drove me insane. It’s not fair. It’s like a game the whole world is playing on me and I will not have it. I just won’t. So there.

You might think that’s petulance, contrariness, but it was the rawest of pain. I felt so alone, dropped on this earth a loner instead of point man in a family, a team, a cluster. I’m jealous of sisters who cuddle on the couch, or friends who cuddle like sisters, easy with each other in the way of puppies. I’m jealous of easy loves and sloppy families ambling down the street from the 7-Eleven, sucking Big Gulps and passing a bag of Cheetos back and forth. Unhealthy yes, but together in their orange fingers and idle crunching. 

I did it because of the fingers. I did it because of the space.  

Day 11: Prairie Island

Nap bench from Day 1
Remember this bench? It hasn’t changed.

When Dave was learning choreography for The Jewels, he started out being able to remember it all in his head. Then he wrote out notes for himself, and suddenly started forgetting things. “I shouldn’t have written it down,” he said at first. But after a few days, the movements were fully back. My theory was that the info started in his front mind, then moved to his back mind, and the brief uncertainty was when it was in transit. That’s how I feel about yesterday. It felt like my being at Ragdale transitioned from the front of my mind to the back.

I know that things happened but I’m not sure in what order. I know I wrote two new scenes, walked in the blackened prairie and into the woods, burst into tears over a character I don’t even like, laughed hysterically with Dave because I started calling him, hung up on the fourth ring, and then sent him one of those auto-response texts saying “Call you later” when he called back immediately. It reminded me of a college friend who said, “I just called to tell you I can’t talk right now. I’m extremely busy.”

I know that I went into town and bought a get-well card for a friend, and walked into and out of some stores without buying anything, and had a great dinner with friends I somehow didn’t know a month ago. I know the night ended with a bunch of us sitting in the living room, writing or reading or in one case shopping for a fridge. But the “at Ragdale” part, which was once front and center, has moved to a different part of my brain.

The other night, we tramped in a group from room to room, “nosing” as one writer put it. There wasn’t much to observe about the writers’ rooms beyond the space itself – “oh you got a private bath” or “I love that chair, desk, view.” In the composer’s studio we got to hear a tiny, tantalizing snippet of one piece. But in the artists’ studios, we could see whole bodies of work – or at least as whole as they are halfway into the month.

I got to see sets of painted surfaces and found objects by one artist, large canvases by another, and heavily textured and painted collages by another. And I thought, so this is their Ragdale. This is what they’ve been doing in the stillness of this place with the maybe not-so-pretentious-after-all “Quiet please, artists at work” sign out front.

That same night, or maybe a different night, I overheard a writer telling someone a favorite quote from Stephen Sondheim, something like “art is not about perfection, it’s about making choices.” In each studio I saw something that seemed to speak directly to me. I know everyone won’t feel that way. Some will love and some will hate and some will ignore them, but each is perfect in its expression of choices or maybe its choice of expressions. The world is more fully realized because they exist.

Saturdayish

Anyone need 80 8"x3"by3" boxes?
Anyone need 80 8″x3″x3″ boxes?

Dave is talking to himself as he practices. “Oh, Dave.” Then he plays some more, then “No…no.” It sounds strangely detached, like he’s not surprised, just disappointed.

Django is in her bed. Her new portrait is on the mantel. We picked it up at the memorial service for Fern today, because the artist drove in from Indy for it, and she’d also finished the painting.

It’s lovely, especially around the muzzle. The body looks a little too brawny, like the woodcarving. But it’s a far cry from Marmaduke. And the eyes are very, very Django.

At the service, one of Fern’s neighbors told a story about how her dog had swatted a baby bunny in the back yard, and the woman called Fern crying, “What should I do?” Fern came right over, and held the bunny in her hands as it died. She talked to it quietly, saying “It’s all right.” The woman said Fern had the most beautiful hands, and I could see them as she spoke, just holding the bunny very calmly, like everything was happening just as it should.

Another neighbor said they had a feral cat and Fern was the only one who could get near it. Once she sat for an hour, combing it.

Dave seems a bit happier with his playing. He just said, “Hm.”